They’re nice young people who like to sing nice songs and…they’re
phenomenal: Four musical Swedes are
the biggest attraction in Australia since The Beatles and they’re coming back
for another performance
The Australian Women's Weekly 19 May 1976
“Right now, they only have to breathe – and, if it was on a record, they’d
have a hit!”
Keith Cronau, national promotions manager for RCA, was talking about ABBA, the
Swedish pop group, and trying to describe the biggest sensation the record
company has known since The Beatles.
Hundreds of thousands of fans are scooping up ABBA’s discs faster than RCA can
press them out. “We’ve had to call in other companies in Sydney and in New
Zealand to help out,” said Mr Cronau.
Big news now is that ABBA is coming back to Australia in November. Apart from
the group’s definite acceptance, details of the tour were not fixed at the time
of going to press.
The phenomenon first gripped Australia with ABBA’s promotional tour in March. It
reached crescendo with the Nine Network’s screening of a TV special, The Best
of ABBA.
The programme took Sydney by storm. It glued more viewers to their sets than
even the Neil Diamond special from the Showground. It was much the same in other
State capitals.
Viewer response led to the March 20 show being repeated in an augmented form on
March 31st in Sydney, and on April 24th in Melbourne. It is due to be seen again
on May 23rd in Brisbane.
Probably more people watched ABBA on Channel Nine than any similar programme in
Australian TV history.
By May, the group had five records in the Top 40 on the Australian national
chart – “Can you hear the drums, Fernando?”, Ring, Ring, Rock
Me, Mamma Mia and SOS. Three of these songs were in the Top
20.
ABBA had gained more than 30 gold albums in Australia alone, representing sales
of nearly half-a-million records.
Why did it happen? What makes ABBA tick? The answer is complex, yet simple. For
one thing the group shows no trace of the gimmickry that has become standard for
aspiring pop groups nowadays.
Anni-Frid, Björn, Benny and Agnetha are just four pleasant, wholesome young
people. They sing songs that have recognisable words and tunes that make you
want to sing along. Their music is bland, harmonious and middle-of-the-road.
These factors combine in a magic password that allows them to do the apparently
impossible and bridge the generation gap in popular music. The kids certainly
dig ABBA. But so do their mums and dads, grandmas and granddads.
Cynics suggest the oldies, mystified – if not horrified – by the current crazes
of their offspring, are glad to be able to share in a rave they can at last
understand.
Keith Cronau pointed out that, although ABBA’s success matched that of The
Beatles in Australia, there was a difference. “When The Beatles came here, they
were already famous worldwide, ABBA were not.
“Of course, they were tops in Sweden, but even the Swedes were astonished by
their popularity here. Now the rest of the world is catching on…”
Mr Cronau illustrated his point with the story of ABBA’s hit song, Mamma Mia,
“It arrived here as a film clip for television, not intended for release as a
record.
“But the response was such that we got permission from Sweden to take it off an
LP as a single. It went on to become No.1 in Britain and make the Top 10 in many
other countries.
“Similarly, Ring, Ring, originally recorded three years ago, was
re-released and became a massive hit. In fact, the Swedes didn’t want us to
re-release it because it was so old.”
ABBA’s star trek dates from 1966 when well-known Swedish pop group performers
and aspiring composers Benny Andersson and Björn Ulvaeus got together.
In the Summer of 1969 Benny met Frida Lyngstad. At the same time, Björn met
Agnetha Fältskog. The girls weren’t exactly unknowns. Agnetha, being one of
Sweden’s most popular female vocalists and Frida, a television personality and
singer.
A success in Sweden from the start, their bandwagon really got rolling in 1974
when the group took out the Eurovision
Song Contest with Waterloo.
ABBA admits to finding the furore just as much as anyone else. The girls say
it’s the boys’ music. And the boys? “I think the girls’ looks have had a little
to do with it,’ says Agnetha’s husband, Björn.
Frida’s fiancé Benny opted for the girls’ performances. “I think our albums have
variety and hold good song value,” he said.
Only complaint from these decidedly unspoilt performers during their demanding
first Australian promotional tour was that it was too short.
Photos:
(1) ABBA in action during the sensational Channel Nine show. (2) A tear-out
pinup picture of ABBA in Australia in 1976 by Keith Barlow.
© 1976 The Australian Women's Weekly. Thanks to Samuel Inglles

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